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A typographic poem on off-white paper: rain falls in columns of letters and settles, a line of wave curls into a breaking crest, wind is blown apart into widening streams, and the camera pulls back to a typeset page where each word holds its shape.
Written and rendered by AI CSS Animations Nov 2, 2026
Concrete poetry arranges words so their layout on the page is part of the meaning. It goes back to Apollinaire's calligrams of the 1910s and became a movement in the 1950s and 60s, when poets such as Eugen Gomringer and the Noigandres group in Brazil set single words into strict, spare patterns. It suits kinetic type because the shape can now be performed: a word falls, bends or scatters before it settles into the still page the movement was known for. The craft is in restraint: one typeface, ink on paper, a grid, and motion that obeys the word.
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